![]() The result is what I described in my other post: I press one key, and get that note played and a second one (that is transposed if I set the timbre to do so). ![]() The transmitted note on the M3´s channel does not respond to any transposing, the note on the EXT´s channel does respond to transposing (as it should). This means that the M3 is always transmitting on its main channel as well, no matter what individual EXT timbres use as a channel. I changed the M3 channel in the Global menu to 5 and had the same result: one note played and 2 recorded notes (on channel 5 and 16). If I set up a timbre to EXT / channel 16 and record one played note directly to Cubase, I get 2 notes recorded in Cubase (in this case both on channel 1 and 16). 2 or 16 or whatever) AS WELL as on the channel the M3 itself uses. The M3 always transmits on the selected channel of the timbre (e.g. No complicated MIDI routing.īut I have found the following (connecting the M3 directly to Cubase and checking the MIDI list editor when recording data): I am just using a MIDI cable from the M3 MIDI out to the gear. You could always just sequence the transposed part and send it out that way. I dont think they are made anymore but I have seen them on Ebay fromk time to time. The user can even set Pocket Transpose so that the drum machine channel remains intact" Pocket Transpose provides an easy way to try different arrangements without altering sequencer data. ![]() Guitar synth players can use the Pocket Transpose to set intervals on 6 separate channels, or use it to transpose all strings by a certain amount. Intervals can be set while playing, and the user can select the normal or the transposed setting from a footswitch. Although many keyboards have a transpose function, it's usually too cumbersome for live use. "Pocket Transpose is a performance-oriented transposer that supports separate transpose intervals for each MIDI channel. I ended up using a a product called te Anatek Pocket transposer which is a hardwear device. I wanted to do exactly what you wish achieve a few years back in a live set. ![]() ![]() This way I could access the same external patch from different Combinations where that same patch is actually triggered from different keyboard zones of the M3 (say somwhere in the higher register as the left hand is busy doing something else), thus reducing the need to use up memory slots of the external gear for basically the same desired patch sound.Īnd if it can´t be done on the M3, maybe there is some hardware gear that I could put in between the M3 and the rack to get the desired transposition (no software). My question is, is it somehow possible to get the M3 to send already transposed MIDI data to play an untransposed patch in an external gear (rack)?Įxample: I play the same Combination as above (organ patch in the left hand, right hand plays something else): can the M3 send transposd MIDI data to an external organ rack, so that you don´t have to tranpose the external patch itself? Normally you might play, say, an organ patch in the left hand and transpose the patch itself (say, an internal M3 patch) to get it to sound in the desired (higher) register. I do have a question concerning sending MIDI information in Combi mode while using splits and layers. ![]()
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